Paul Charbonnet Demo Reel
From Motion Graphics to Video Editing and UAV Video there is no limit to what we can do.
Pre Production, Production and Post Production
Motion Design, VFX and Animation
Aerial Photography and Video
Drone, UAV, Multicopter or Multirotor whatever you call it I can fly it.
Motion Graphics and Animation production on every level
Editing is just one way of story telling. Making sure your story is told is the most important thing.
In todays world location is not a factor anymore. No matter if you are down the street, across the country or across the world I can bring you the content you need.
Image is Everything
Ready, Steady and Perfect
Online, Streaming and Cloud
No matter the format you need I can produce it.
Tools of the Trade
After Effects, Final Cut, Premiere, Cinema 4D, Photoshop, Illustrator, Camera Operator, Jib Operator, Aerial and Drone video and HTML
Video hours recorded
Video hours Edited
Video Viewed Hours
Digital Media History
Since there is no universally accepted definition of motion graphics, the official beginning of the art form is disputed. There have been presentations that could be classified as motion graphics as early as the 1800s. Michael Betancourt wrote the first in depth historical survey of the field, arguing for its foundations in visual music and the historical abstract films of the 1920s by Walther Ruttmann, Hans Richter, Viking Eggeling and Oskar Fischinger.
One of the first uses of the term “motion graphics” was by animator John Whitney, who in 1960 founded a company called Motion Graphics Inc.
Saul Bass is a major pioneer in the development of feature film title sequences. His work included title sequences for popular films such as The Man With The Golden Arm (1955), Vertigo (1958), Anatomy of a Murder (1959), North by Northwest (1959), Psycho (1960), and Advise & Consent (1962). His designs were simple, but effectively communicated the mood of the film.
Early examples of attempts to capture the phenomenon of motion into a still drawing can be found in paleolithic cave paintings, where animals are often depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.
An earthen goblet discovered at the site of the 5,200-year-old Burnt City in southeastern Iran, depicts what could possibly be the world’s oldest example of animation. The artifact bears five sequential images depicting a Persian Desert Ibex jumping up to eat the leaves of a tree.
Ancient Chinese records contain several mentions of devices that were said to “give an impression of movement” to human or animal figures, but these accounts are unclear and may only refer to the actual movement of the figures through space.
In the 19th century, the phenakistoscope (1832), zoetrope (1834) and praxinoscope (1877), as well as the common flip book, were early animation devices that produced an illusion of movement from a series of sequential drawings, but animation did not develop further until the advent of motion picture film and cinematography in the 1890s.
The cinématographe was a projector, printer, and camera in one machine that allowed moving pictures to be shown successfully on a screen which was invented by history’s earliest film makers, Auguste and Louis Lumière, in 1894. The first animated projection (screening) was created in France, by Charles-Émile Reynaud, who was a French science teacher. Reynaud created thePraxinoscope in 1877 and the Théâtre Optique in December 1888. On 28 October 1892, he projected the first animation in public,Pauvre Pierrot, at the Musée Grévin in Paris. This film is also notable as the first known instance of film perforations being used. His films were not photographed, but drawn directly onto the transparent strip. In 1900, more than 500,000 people had attended these screenings.
The first film that was recorded on standard picture film and included animated sequences was the 1900 Enchanted Drawing, which was followed by the first entirely animated film – the 1906 Humorous Phases of Funny Faces by J. Stuart Blackton, who, because of that, is considered the father of American animation.
Video editing is the process of editing segments of motion video production footage, special effects and sound recordings in the post-production process. Motion picturefilm editing is a predecessor to video editing and, in several ways, video editing simulates motion picture film editing, in theory and the use of linear video editing andvideo editing software on non-linear editing systems (NLE). Using video, a director can communicate non-fictional and fictional events. The goals of editing is to manipulate these events to bring the communication closer to the original goal or target. It is a visual art.
Early video tape recorders (VTR) were so expensive, and the quality degradation caused by copying was so great, that 2 inch Quadruplex videotape was edited by visualizing the recorded track with ferrofluid and cutting with a razor blade or guillotine cutter and splicing with video tape. The two pieces of tape to be joined were painted with a solution of extremely fine iron filings suspended in carbon tetrachloride, a toxic and carcinogenic compound. This “developed” the magnetic tracks, making them visible when viewed through a microscope so that they could be aligned in a splicer designed for this task.
Improvements in quality and economy, and the invention of the flying erase-head, allowed new video and audio material to be recorded over the material already recorded on an existing magnetic tape and was introduced into the linear editing technique. If a scene closer to the beginning of the video tape needed to be changed in length, all later scenes would need to be recorded onto the video tape again in sequence. In addition, sources could be played back simultaneously through a vision mixer(video switcher) to create more complex transitions between scenes.
There was a transitional analog period using multiple source videocassette recorder (VCR)s with the EditDroid using LaserDiscplayers, but modern NLE systems edit video digitally captured onto a hard drive from an analog video or digital video source. Content is ingested and recorded natively with the appropriate codec which will be used by video editing software to manipulate the captured footage. High-definition video is becoming more popular and can be readily edited using the same video editing software along with related motion graphics programs. Video clips are arranged on a timeline, music tracks, titles, digital on-screen graphics are added, special effects can be created, and the finished program is “rendered” into a finished video. The video may then be distributed in a variety of ways including DVD, web streaming, QuickTime Movies, iPod, CD-ROM, or video tape.
A camera operator or cameraman is a professional operator of a film or video camera. In filmmaking, the leading camera operator is usually called a cinematographer, while a camera operator in a video production may be known as a television camera operator, video camera operator, or videographer, depending on the context and technology involved, usually operating a professional video camera.
The camera operator is responsible for physically operating the camera and maintaining composition and camera anglesthroughout a given scene or shot. In narrative filmmaking, the camera operator will collaborate with the director, director of photography, actors and crew to make technical and creative decisions. In this setting, a camera operator is part of a film crewconsisting of the director of photography and one or more camera assistants. In documentary filmmaking and news, the camera is often called on to film unfolding, unscripted events. In 2006, there were approximately 27,000 television, video, and motion picture camera operators employed in the United States.
Important camera operator skills include choreographing and framing shots knowledge of and the ability to select appropriatecamera lenses, and other equipment (dollies, camera cranes, etc.) to portray dramatic scenes. The principles of dramatic story telling and film editing fundamentals are important skills as well. The camera operator is required to communicate clearly and concisely on sets where time and film budget constraints are ever present.
Beyond the military applications of UAVs with which “drones” became most associated, numerous civil aviation uses have been developed, including aerial surveying of crops, acrobatic aerial footage in filmmaking, search and rescue operations, inspecting power lines and pipelines, and counting wildlife, delivering medical supplies to remote or otherwise inaccessible regions,with some manufacturers rebranding the technology as “unmanned aerial systems” (UASs) in preference over “drones.”Drones have also been used by animal-rights advocates to determine if illegal hunting is taking place, even on private property. Drones equipped with video cameras are being used by the League Against Cruel Sports, a British animal-rights group, to spot instances of illegal fox hunting. UAVs are nowadays routinely used in several applications where human interaction is difficult or dangerous. These applications range from military to civilian and include reconnaissance operations, border patrol missions, forest fire detection, surveillance, and search/rescue missions.
Commercial and motion picture filmmaking
In both Europe and the United States, UAV videography is a legal gray area. The Federal Aviation Administration (FAA) and their European equivalents have not issued formal regulations and guidelines surrounding drones in the private sector. Much like how the explosive growth of crowdfunding sites like Kickstarter and Indiegogo has caused headaches for legislators, UAV technology has advanced too quickly for bureaucrats to handle.
The FAA is debating offering guidelines for drone operators in the private sector by 2015, and European regulators are meeting on 9 February to iron out rules for UAVs in EU airspace. Domestically, lobbyists are petitioning the agency to give wide leeway to the use of unmanned aircraft for commercial photography, videography, and surveillance purposes. At the same time, lobbyists for occupations that stand to lose business to drones such as commercial pilots are petitioning the FAA to restrict drone use as well.
Colin Guinn of DJI Innovations, a Texas-based retail UAV manufacturer, told Co.Create that FAA regulations generally permit hobbyist drone use when they are flown below 400 feet, and within the UAV operator’s line of sight. For commercial drone camerawork inside the United States, industry sources told us that use is largely at the de facto consent – or benign neglect – of local law enforcement. Use of UAVs for filmmaking is generally easier on large private lots or in rural and exurban areas with fewer space concerns. In certain localities such as Los Angeles and New York, authorities have actively interceded to shut down drone filmmaking efforts due to concerns driven by safety or terrorism.  
On 2 June 2014, the Federal Aviation Administration (FAA) said it had received a petition from the Motion Picture Association of America seeking approval for the use of drones in video and filmmaking. Low-cost drones could be used for shots that would otherwise require a helicopter or a manned aircraft, which would reduce costs argued seven companies behind the petition. Drones are already used by movie makers and media in other parts of the world. The FAA is required by Congress to come up with rules for commercial use of drones by 2015.
UAV remote sensing functions include electromagnetic spectrum sensors, gamma ray sensors, biological sensors, and chemical sensors. A UAV’s electromagnetic sensors typically include visual spectrum, infrared, or near infrared cameras as well as radar systems. Other electromagnetic wave detectors such as microwave and ultraviolet spectrum sensors may also be used but are uncommon. Biological sensors are sensors capable of detecting the airborne presence of various microorganisms and other biological factors. Chemical sensors use laser spectroscopy to analyze the concentrations of each element in the air.
Commercial aerial surveillance
Aerial surveillance of large areas is made possible with low cost UAV systems. Surveillance applications include livestock monitoring, wildfire mapping, pipeline security, home security, road patrol, and anti-piracy. The trend for the use of UAV technology in commercial aerial surveillance is expanding rapidly with increased development of automated object detection approaches.
Drones are starting to be used in sports photography and cinematography. For example, they were used in the 2014 Winter Olympics in Sochi for filming skiing and snowboarding events. Some advantages of using unmanned aerial vehicles in sports are that they allow video to get closer to the athletes, they are more flexible than cable-suspended camera systems.
UAVs are increasingly used for domestic police work in Canada and the United States: a dozen US police forces had applied for UAV permits by March 2013. Texas politician and commentator Jim Hightower has warned about potential privacy abuses from aerial surveillance. In February 2013, Seattle Mayor Michael McGinn responded to protests by scrapping the Seattle Police Department’s plan to deploy UAVs.
- First drone-assisted arrest of an American
On 28 January 2014, a North Dakota cattle rancher was sentenced to three years in prison, with all but six months suspended, for terrorizing police officers who were trying to arrest him at his property in 2011. The case garnered national attention because it was the first time a law-enforcement agency had used an unmanned aerial vehicle to assist in carrying out an arrest. The Predator drone was from the Department of Homeland Security’s Customs and Border Patrol.
Oil, gas and mineral exploration and production
UAVs can be used to perform geophysical surveys, in particular geomagnetic surveys where the processed measurements of the Earth’s differential magnetic field strength are used to calculate the nature of the underlying magnetic rock structure. A knowledge of the underlying rock structure helps trained geophysicists to predict the location of mineral deposits. The production side of oil and gas exploration and production entails the monitoring of the integrity of oil and gas pipelines and related installations. For above-ground pipelines, this monitoring activity could be performed using digital cameras mounted on one or more UAVs. The InView UAV is an example of a UAV developed for use in oil, gas, and mineral exploration and production activities.
UAVs transport medicines and vaccines, and retrieve medical samples, into and out of remote or otherwise inaccessible regions. Drones can help in disaster relief by gathering information from across an affected area. Drones can also help by building a picture of the situation and giving recommendations for how people should direct their resources to mitigate damage and save lives.
Unmanned aircraft are especially useful in penetrating areas that may be too dangerous for manned aircraft. The National Oceanic and Atmospheric Administration (NOAA) began utilizing the Aerosonde unmanned aircraft system in 2006 as a hurricanehunter. AAI Corporation subsidiary Aerosonde Pty Ltd. of Victoria, Australia, designs and manufactures the 35-pound system, which can fly into a hurricane and communicate near-real-time data directly to the National Hurricane Center in Florida. Beyond the standard barometric pressure and temperature data typically culled from manned hurricane hunters, the Aerosonde system provides measurements far closer to the water’s surface than previously captured. NASA later began using the Northrop Grumman RQ-4 Global Hawk for extended hurricane measurements.
Further applications for unmanned aircraft can be explored once solutions have been developed for their accommodation within national airspace, an issue currently under discussion by the Federal Aviation Administration. UAVSI, the UK manufacturer, also produces a variant of their Vigilant light UAS (20 kg) designed specifically for scientific research in severe climates, such as the Antarctic.
Search and rescue
UAVs will likely play an increased role in search and rescue in the United States. This was demonstrated by the use of UAVs during the 2008 hurricanes that struck Louisiana and Texas. Micro UAVs, such as the Aeryon Scout, have been used to perform Search and Rescue activities on a smaller scale, such as the search for missing persons. For example, Predators, operating between 18,000–29,000 feet above sea level, performed search and rescue and damage assessment. Payloads carried were an optical sensor, which is a daytime and infrared camera in particular, and a synthetic aperture radar (SAR). The Predator’s SAR is a sophisticated all-weather sensor capable of providing photographic-like images through clouds, rain or fog, and in daytime or nighttime conditions, all in real-time. A concept of coherent change detection in SAR images allows for exceptional search and rescue ability: photos taken before and after the storm hits are compared, and a computer highlights areas of damage.
In June 2012, WWF announced it will begin using UAVs in Nepal to aid conservation efforts following a successful trial of two aircraft in Chitwan National Park, with ambitions to expand to other countries, such as Tanzania and Malaysia. The global wildlife organization plans to train ten personnel to use the UAVs, with operational use beginning in the fall. In August 2012, UAVs were used by members of the Sea Shepherd Conservation Society in Namibia to document the annual seal cull.In December 2013, the Falcon UAV was selected by the Namibian Govt and WWF to help combat rhino poaching. The drones will be monitoring rhino populations in Etosha National Park and will use RFID sensors.
In March 2013, the Times published a controversial story that UAV conservation nonprofit ShadowView, founded by former members of Sea Shepherd Conservation Society, had been working for several months with anti-hunting charity The League Against Cruel Sports to expose illegal fox hunting in the UK. Hunt supporters have argued that using UAVs to film hunting is an invasion of privacy.
In April 2013, People for the Ethical Treatment of Animals announced its intention to use drones to monitor hunters, as well as possibly industrial farms, fishing areas, and “other venues where animals routinely suffer and die”. Some gun owners responded by suggesting they’d shoot down these drones.
In 2014, Will Potter proposed using drones to monitor conditions on factory farms. The idea is to circumvent ag-gag prohibitions by keeping the drones on public property but equipping them with cameras sensitive enough to monitor activities on the farms. Potter raised nearly $23,000 in 2 days for this project on Kickstarter.
Japan is studying how to deal with the UAVs the PRC is starting to use to enforce their claims on unmanned islands.
Another application of UAVs is the prevention and early detection of forest fires. The possibility of constant flight, both day and night, makes the methods used until now (helicopters, watchtowers, etc.) become obsolete. Cameras and sensors that provide real-time emergency services, including information about the location of the outbreak of fire as well as many factors (wind speed, temperature, humidity, etc.) that are helpful for fire crews to conduct fire suppression.
In Peru archaeologists use drones to speed up survey work and protect sites from squatters, builders and miners. Small drones helped researchers produce three-dimensional models of Peruvian sites instead of the usual flat maps – and in days and weeks instead of months and years.
Drones have replaced expensive and clumsy small planes, kites and helium balloons. Drones costing as little as £650 have proven useful. In 2013 drones have flown over at least six Peruvian archaeological sites, including the colonial Andean town Machu Llacta 4,000 metres (13,000 ft) above sea level. The drones continue to have altitude problems in the Andes, leading to plans to make a drone blimp, employing open source software.
Jeffrey Quilter, an archaeologist with Harvard University said, “You can go up three metres and photograph a room, 300 metres and photograph a site, or you can go up 3,000 metres and photograph the entire valley.”
The production company may be directly responsible for fundraising for the production or may accomplish this through a parent company, partner, or private investor. It handles budgeting, scheduling, scripting, the supply with talent and resources, the organization of staff, the production itself, post-production, distribution, and marketing. Production companies are often either owned or under contract with a media conglomerate, film studio, entertainment company, or Motion Picture Company, who act as the production company’s partner or parent company. This has become known as the “studio system”. They can also be mainstream independent (see Lucasfilms) or completely independent (see Lionsgate). In the case of TV, a TV production company would serve under a television network. Production companies can work together in co-productions.
A production company is responsible for the development and filming of a specific production or media broadcast. In entertainment, the production process begins with the development of a specific project. Once a final script has been produced by the screenwriters, the production enters into the pre-production phase, most productions never reach this phase for financing or talent reasons. In pre-production, the actors are signed on and prepared for their roles, crew is signed on, shooting locations are found, sets are built or acquired, and the proper shooting permits are acquired for on location shooting. Actors and crew are hand picked by the producer, director, and casting director, who often use collaborators or referenced personnel to prevent untrusted or unwelcomed people from gaining access to a specific production and compromising the entire production through leaks. Once a production enters into principal photography, it begins filming. Most productions are never cancelled once they reach this phase. Codenames are often used on bigger productions during filming to conceal the production’s shooting locations for both privacy and safety reasons. In many cases, the director, producers, and the leading actors are often the only people with access to a full or majority of a single script. Supporting actors, background actors, and crew often never receive a full copy of a specific script to prevent leaks. Productions are often shot in secured studios, with limited to no public access, but they are also shot on location on secured sets or locations. Due to the exposure, when shooting in public locations, major productions often employ security to ensure the protection of the talent and crew working on a specific production. After filming is completed, the production enters into post production, which is handled by a post production company and overseen by the production company. The editing, musical score, visual effects, re-recording of the dialog, and sound effects are “mixed” to create the final film, which is then screened at the final screening. Marketing is also launched during this phase, such as the release of trailers and posters. Once a final film has been approved, the film is taken over by the distributors, who then release the film.